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EMERGENCY RESOURCES FOR WRITERS
By C. Hope Clark
A week doesn't sprint by me without someone crying out for help."How can I make some quick money writing? I can't pay my (fill in the blank)." My heart goes out to them. I have totell each one that writing isn't swift, nor is it lucrative.Quick money is almost an oxymoron.
Emergency carries different levels of interpretation. An emergency to one person is not meeting the rent. To another it'snot being able to drive to a job. And yet someone else cannotwork due to illness or physical impairment. None of those arequick fixes.
But some emergency resources come available on occasion. A fewof them are grants. All of them are competitive because thenumber of people needing assistance always outnumbers the funds available.
Funds for published writers
To receive aid as a writer, you have to have a history as a writer. This concept is painful to half the people I speak to.They know they can write, but they have not published. Therefore,they do not qualify for "writer" assistance. But if you havebeen around the track a few times as an author, consider theseresources:
CHANGE EMERGENCY FUNDSChange, Inc., P.O. Box 54, Captiva, FL 33924 Phone: (212) 473-3742 Awards of up to $1,000 for medical, living, or other emergencies. Open to artists of all disciplines, with no U.S. geographical restrictions; students are not eligible.
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PEN AMERICAN CENTER WRITERS' FUNDhttp://www.pen.org/page.php/prmID/251 The PEN Writers' Fund is an emergency fund for professionally published or produced writers with serious financial difficulties. The fund gives grants or loans of up to $1,000.
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AUTHORS LEAGUE FUND - EMERGENCY FUNDS31 East 28th Street, New York, NY 10016 Main Phone: (212)268-1208 / Main Fax: (212)564-5363 Helps career authors and dramatists in the United States and in financial distress due to an urgent situation. The Fund makes interest-free loans to professional writers in need.
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CLAYTON MEMORIAL MEDICAL FUNDc/o OSFCI, P.O. Box 5703, Portland, Oregon 97228 http://www.osfci.org/clayton/index.html The fund helps professional science fiction and fantasy writers living in the Northwest states of Oregon, Washington, Idaho, and Alaska deal with the financial burden of illness.
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AMERICAN POETS FUND - EMERGENCY FUNDSThe Academy of American Poets584 Broadway, Suite 1208, New York, NY 10012Assists poets of demonstrated ability who are in a state of urgent financial need. Grants cannot be used to promote or otherwise enhance literary talent or reputation.
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WRITERS EMERGENCY ASSISTANCE FUND 1501 Broadway, Ste. 302, New York, NY 10036 Tel: (212) 997-0947 / FAX: (212) 768-7414 http://www.asja.org/weaf.php Financial relief assistance to established, professional freelance writers of nonfiction books and magazine articles. Must be 60 years of age or older, disabled, or who face crisis.
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WRITERS' TRUST WOODCOCK FUND - EMERGENCY FUNDS90 Richmond Street East, Suite 200, Toronto, Ontario M5C 1P1416-504-8222 / F- 416-504-9090http://www.writerstrust.com/ Provides emergency funding for established writers in mid-project who are facing financial crisis. Since its inception, the Woodcock Fund has supported 103 Canadian writers in financial difficulty.
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JOHN ANSON KITTREDGE EDUCATIONAL FUND. c/o Key Trust Company of Maine, P.O. Box 1054, Augusta, ME 04332 Travel Application Address, P.O. Box 2883, Cambridge, MA 02138 Grants awarded to artists in very special circumstances. $1,000 - $10,000. Initial contact by letter.
Advice for novice writers
Grants don't happen unless you can acquire financial assistancethrough churches, charitable organizations or The United Way.You are not able to use your writer status to acquire writingfunds if you are not published. It's like asking for funds tobuild a career as an accountant when you used to be a plumber.Experience dictates your qualifications.
If the wolf isn't at your door, and the rain isn't pouringon your head, sit down at the keyboard and start typing yourstories. Read Writer's Market and every other resource thatstrikes your fancy. Join online list groups and read the forums.Subscribe to Writer's Digest or at least read it in the library.Become a sponge. Make writing what you do when you aren'teating, sleeping, working the 9-to-5 or tending to the family.
Then submit like there's no tomorrow. Submit online and to printpublications. Expect 90% rejection and learn why it happened.Submit even more than you did before. Expect 80% rejection andlearn why again.
Believe it or not, while you are fanatically submitting, your writing is improving. That 80% now becomes 75%, then 60%. Soonyou've learned how to write better and target your work to themarkets that suit your voice and style. It's almost anunconscious occurrence. You get smarter, plain and simple.Checks surprise you in the mail. Contracts happen more often.Emails arrive in your box from editors that know you asking you to craft another column. You become a writer.
Emergencies happen. Everyone has a crisis at some time in hislife or he hasn't lived. Sometimes grants are available, but moreoften they aren't. But you are a writer which means you know howto research and deal in deadlines. No one can take away yourmeans and ability to write.
Instead of wringing your hands about your plight, considerputting them to better use on the computer. Pound out yourworries and shoot the results to editors. A few of them justmight respond in a matter of days. You'll never know unless you submit like a fanatic, giving editors the option of paying you.